-
Nawathinkawafuh! (Uh! Ah!)
Nawathinkawafuh! (Uh! Ah!)
Nawathinkawafuh! (Uh! Ah!)
I said this nut might kill us!
I see a pinhole yo
and the goal is your soul that I’m fishing fo’
wishing fo’ a Marlon boat
slowly rigging the sails,
got a hold of his coat tail
and lift the back
so I can jack in a Gyllenhaal crack
transmit the facts
and fill a Ledger with info, and then go
back to the future
we can double your pleasure
hit the button, pull the lever, whenever
trouble the water with bubbles
it’s a Yemaya seminar
clever endeavoring, weathering, bettering
sever the tethering
from this world to the next
lucky to duck it so get to flexing the metasex
(‘cause I like you, you Black like me)
get in the back like me
when they ask for three I.D.
Ya see the DDC and the AZT
You me and he
And the future that might be
a medicine song
I know you faking cause you taking too long
Chorus 2x
In the backs of cars, on the backs of trucks
In the back for ours, all the snacks and sluts
I’mma tighten you up, then I’mma tighten you up
You say you frightened of what?
but now it’s griping your gut,
and got you wiping your butt
they been typing it up, they got a ‘scrip for us
we in the gifted class
said he was smarter than the average bear
so the damage barely missed his ass
‘til the next time, sex in the next rhyme
filled to the hilt with that survivor guilt
and then the tea got spilt
you see how he got kilt
the pinball tilt, the end of the game
the quilt with the name
the wall of fame
the shame and the blame (Hey!)
his aim was hella true
but then it came with the flu
and there was no way they could know
until it came into view
‘cause seeing grapes
was the fate, and the tale of the tape
and hit the clinic
while he dying Mama trying to spin it
Chorus 2x
Bridge (4x):
time to get ill/so we swallow that pill
(4x):
This nut might kill us/this nut might kill us
Hotel, motel stay on the scene
No fats, no femmes, no space in between
A Dinge Queen, Snow Queen, Muscle Queen preens
Mirror-Mirror, tell me that you seeing what I seen
You like it how I mike it, and you want me on your team
The cream, the triple beam, cooking up a scheme
The streets is on fire with desire for the gleam
The queers at the piers for some ‘you know what I mean’
Elohim and my Baba Ibrahim in the dream
The rookies and the hookers steady cooking up a scheme for the peen
Essex in the message with the lesson to redeem
Look me up, I’mma see you in the steam
we getting Buck
Chorus 2x
Outro (3x):
I strive to be strong
til the end of the song
Can you feel us?
The violence of the silence just might kill us
(I can feel it)
(I can feel it)
(I can feel it)
-
J to the Igga! B to the Izz-ooh! Finga the trigga! swing with the sickle!
D to the Ev-eye! E to the Ev-ill! Hit like a semi! he come to level!
ten thousand men named George will forge ahead
so know that he was born
to swell a pumpkinhead, and dead
curse a hellzapoppin’ allotment,
proppa-doppa, sloppy like a Burger King Whopper
poppin’ shots at Dorsey’s Locker (you got it!)
Great Migration to northern states,
loans, and fates unknown
moans that droned on and kep’ on goin’
find that hair-rhein binds minds, the nod of gods
hundred sixteenth time sign (and finding the rod!)
and looky dat dere, you watch out now,
the boom-boom-pow, the what-when-wow, the kak-kat kow
A Night Train to Terror (errybody got something to do!)
Tomorrow, we hit Scottsboro (for luggage and umbrage)
this bile is bilin’ in ya stomach and we plummet the tonnage
droppin’ weight and feelin’ great
it’s feeling spacious, these acres
all the Herbs at the curb,
Cap’n cappin’ all the fakers
and the racists donkey-brayin’,
but the paper’s sayin’
Chorus (1x):
Word! I though you knew, it’s cause the devil’s due
Yea It’s certain you goin’ learn today
Cuz it’s curtains, you ain’t skirtin’ all this hell to pay (and say)
Worse! it hurts, this truth, It’s cuz the devil’s due
Yeah, just wear it, cause you fits dat shoe
Word! I thought you knew
Here come the devil, he’s come to level
Here come the devil, he’s come to level
(Here come the devil!)
Pre-verse (2x)
You see him keep it holly-jolly
Follow Cholly to the sleepers he creepin’,
Miss Molly hollers, J acknowledge her beeping
and keep her company, go fluff up her pillows,
then bring her sweetmeats,
and turn up the sheets to get her neat,
(and wipe the fog off the windows…)
and his emission’s complete,
but it’s a long train comin’, and a feat to compete
in the street, D catch the beats
and like to stir with the bird
he keep it workin’ and you prayin’
for the end of the verse
and you can hear him sayin’
Chorus (1x)
Bridge:
JD’s our hope and scream, Red Black and Green
and though the skies be gray with lies
that hide the truth
we’ll come through hell
with bells that knell, our Devil’s due
that yell that Weldon spelled,
that stony road we knew,
and though the lies, they fly
from Ofay’s eyes of blue
they’ll take this L
come shots and shells of Jigaboo
they’ll take this L
come shots and shells from Jigaboo
-
Haww Stick it, Fuck it, Do it, Swing it
Stick it, Fuck It, Do It, Haww
how you gon' work it baby baby?
maybe keep it on lock
you the master, move it faster
flashing Average Black Cock
he be managing the damage
with a sausage cuz they famished
and they clamor for the Unforgivable
from Liverpool to Shinjuku
to North Lawndale, Ninety-Fifth and State
among the ways I get paid
Is when I raise my rate
(it costs me to live, gifts that I give, stick to your ribs)
with misters on a mission
wanna slob at Nob Hill
where the bootyfinger lingers
and a ringer gives a thrill
but I got no chill
though it leaves me kinda cold
how they stutter at the other
and the brother’s getting old
and the truth be getting told
In the booth where we boosting gold
when we sold to America and scaring ya
(shaking my pants. Like how I dance, this is your chance...)
to swing it
Chorus 4x:
Juba:
where can I/find a man like you
To chew thru, brew and poppers
Lynnee:
sloppy your approach I’ll coach, take notes
we’ll stop the clock at 10 to 2
cause time is just a concept
wreck it to the hourly
dicking for a nickel?
better better bet for me’s a shower scene
one and done, dabba do it, Fluid intuit,
getcha back I'mma stack up
cuz I’m knowin'' dat
(way to get paid, spraying the ‘naise
‘fraid, and you skurred)
cause you begging for pegging
like a dicking with a Doc
is just a stop before some regular legging
ass-wrecking and reckon, record time to finish
I be grantin’ all your wishes, your emissions diminish
winning hustle Is the mussel
from a shell that knells
Banquo for hoes and all the stones that tell
I’m givin’ hell
(a tale of a sale, king of the slang, ding-a-ling-sing)
when the meaty meat gets to swing
Chorus 4x:
Bridge (4x)
(Lynnee/Juba alternating)
You’re Satisfied! (You’re satisfied!)
Outro:(4x)
(Juba/Lynnee):
swing in your area
(cuz I’m the one to hit it)
you know I’ll take care of ya
(you got come and get it)
swing in your area
(you know I’m getting on it)
you know I’ll take care of ya
(because you know you want it)
Lynnee Breedlove:
and you’re watching the ducks
floating on Stone Lake
post-fuck bliss
after Meatswinga done served you up
and all the ghosts of the dead boys
be floating round your head
in their Daisy Dukes
after you got what you paid for
cuz you hella rich
you gentrifying son of a bitch, yeah
you can afford the very best in dick
and that’s why you call the Meatswinga
la la lee lah la la la la la
that’s the thoughts left in your little brain
-
it was '82,
me and my girl we did it one time,
said I love you, moved in together.
that's how you did.
never considered people might think an interracial couple was something.
we were in that love bubble, and it was Oakland.
full of black people and white people. no big.
'83 we moved to another hood in Oaktown, an apartment building.
still stood out as the black and white dykes.
still didn’t care.
driving her 64 chevy pickup, I heard this pornografalsetto song
and thought, whoa, who's this chick getting so personal on the radio.
then the DJ said, "that was prince singing Do Me Baby,"
and I said oh shit I need to pay more attention to this genderfucker.
we moved to the white neighborhood.
still standing out. still not caring,
but I think it started to wear on us a little, specially her.
being the only white dyke in a black hood
was different than being the only black dyke in a white neighborhood.
'84, my best friend from hi skool told me he was positive.
I got off the phone and broke down. I
sat in the living room that year
under the Gone with the Wind spoof poster
of Thatcher and Reagan with the mushroom cloud in the background.
watched Mad Max, Brother From Another Planet,
Liquid Sky, The Hunger, Christiane F, and Sid and Nancy,
6 times each before returning them to the video store.
drank a million Buds and Slip n Slid with our pals in our wifebeaters
and mirrored cop shades before they became wife pleasers.
we most definitely weren’t wife beaters
beating the hell out of each other over a freebase pipe.
sat in front of Grandma's converted TV console,
high lacquer cherrywood cabinet full of records and a turntable.
drank myself silly to Howlin' Wolf and Lightnin' Hopkins,
and Gil Scott and Suzie Quatro and the B52s.
for hours, listening to Prince's Controversy,
turning the album cover over in my hands,
analyzing. did he really mean it?
did he love us that much?
was he really saying this?
(****)
"Am I black or white, am I straight or gay?..
People call me rude, I wish we all were nude
I wish there was no black and white,
I wish there were no rules…"
we were all alone in a world where Christians wanted us dead,
but there was Prince, coke and whisky and Starfish and Coffee
and Let's Go Crazy and Jack U Off and Annie Christian
and Purple Rain, a cult crossover hit,
and Under the Cherry Moon, panned by critics,
but he could do no wrong,
and ruffled shirts and romance and femme dykes onstage,
his spittin' image, girl versions of him,
a narcissist dream of straight acting queers fucking the mirror
like there might be something going on,
just like us and our pals, brown and black and white,
fags n dykes passing joints at the disco,
sexy even if there was a plague, one big cuddle party.
it didn’t feel lonesome.
it felt right and like motherfuckers better make room for us
because if they didn’t, we were coming through anyway,
led by the most fearless, least fucks-giving motherfucker on the planet
with all the moves and a voice
that could go from girl to boy in a second.
if he wasn’t intimidated, neither were we.
'89, me and my records got tossed on the street
cuz I got high and everyone was mad.
2016 I’m ashamed now more than I was that day,
because when I look to pay homage to the man,
I gotta go on the internet like some kinda poser,
cuz I never bought new Prince records.
the night after he leaves us, it's a full moon.
I put on When Doves Cry, but it keeps stopping in the middle
because everyone in the world is playing it
becuz somewhere along the line we all lost our records.
the clouds are all over the moon.
she’s real big behind that cloud cover, I can tell.
I light the candles and say,
Come out, you gotta call him home.
and the clouds part, and I say,
I’m sorry Prince. I lost the records.
I’m sorry. it's not that I ever stopped loving you.
I just thought you’d always be there.
-
Mykki raps wrath to men condescending
how they’ll pay her (‘EM)
“This ain’t a hobby!”
calls us to her (‘EM)
“Circle up circle up,”
Tales from the periphery
a hymn of stolen property.
balls of lightening shoot out her hands
at a history of bastards.
what’s the deal with pronouns.
why align with fuckheads.
times like UsToo why choose this team
of not so righteous dudes?
to be as in a life briefly recalled
as we squoze down the long hall
holy said Ginsberg
are those between worlds.
be exceptions.
straighten the rest out.
Hey you guys, I mean friends
this way to humanity!
model correct behavior,
change other men?
someone’s gotta.…prolly Them.
in the OG sense they
were the enemy
as in them …Against Me!
Then They became Us
Guided by guts
we went
From
punks
to old dykes—
1 tran, 2 trans
they! bold leap out of binary bins.
-pronouns? refuse em
-Make up some
Shake up cis-tems ascribed to parts and
Confuse ‘em.
girls are so cool.
sometimes I wish I was one.
men get free tickets to everything
professional sports? tom of finland?
that’s hot.
I'm more like a mascot.
hey you guys,
I mean people….
pronoun showdown with
the guy at home depot
he don’t know
sir ma’am sir
spotlight on me now.
whole store is staring
-what now
Mykki Blanco
once said
my trans journey’s who I am.
abandon us fugitives?
Naw
you stand with us,
let us see into the mutable deep,
you free us.
They say
explain yourself.
-tired of educating.
I would claim They themself
if we’re gonna go plural
how bout the royal We?
-I was never a king.
what’s in your boxers?
none-ya
Like Drew from Trap Girl,
N Star Amerasu,
we’re hawking
truth loogies
into the mouths of babes
Like birdies waiting
at the foot of stages
-We got drawers fulla rage
—that’s what
now Mykki Blanco,
lead us out.
we’re bleeding out.
jack H covered masculinity.
it’s all toxicity.
“I wanna be like Mykki.*
fingers splayed, wrist cocked,
mic stand flung across
shoulders, classic Cooper Lee
galvanizing
tucked/untucked,
won’t be androgenized,
fucked, unfucked.
-you instruct us:
We must protect black children.
We must protect black trans women.
eradicate prisons.
still need Abolition.
race me, full of grace,
embrace,
show up for our own ass,
goddess incarnate.
*Dare us.
Call our manliness toxic.*
we’re the beloved who loves you,
reason for all moves.
throw us skyward, trust.
-you’ll land in the midst of us
-
Chorus (2x):
Some
Some of your friends are already this fucked
And it’s too late to car, he ate the angel hair
(i said) some
Some of your friends are already this fucked, yeah
She signed the deal memo, so now it’s time to go
Juba Kalamka:
There’s no dance without finance
You better call saul zaenz
He has your pants and shirt
He’s in a yurt in santa rosa
Supposing you frozen
On a poster and posing
Til the deal is closed
The heatwave will save you
By the skin of your nose
Toby ran away but now he’s losing his toes
So your feets might fail you
In your attempts to save face
Westbound to casablanca's
Yes, a roundabout space, in case
You ever wondered 'bout fullfilling the first
If there’s any on the penny
Still the best is the,worst and you’re cursed
And well versed in curved air
And there’s the flair on your shirt
With gold dust and nuts busting
For the spill at the brill
Building billing on the silence
And the license to shill
Petty tyrants to kill
You still begetting rhythm methods
Birthing babies with maybes
Main ingredient, i’m peeing the euphrates to hades
As i jump in my mercedes, imma say it again
Chorus (2x)
Is rule 4080 a section
Or an ordinal direction
Or a lowered expectation
From the ye of little faith
Possessed of even less patience
When they marvel at my cadence
Or the salient relation
Of my statements to the latest
Overnighted excited
You could fight it
If you got the underwriting
For the lightning in the bottle
That follows
And though i caught it
There’s a moth
That’s getttng
Yhrottled and mottled
You can’t keep it for sleeping
So get it ready for the creepin’
(and why must you always be)
Cause little stevie had a trust,
Adjust
The felt that’s turning on the plate
In states with belts that’s rust
And there’s the cut after the cut
Contracted and enacted
With the backing
But the label ain’t stable
And the fables that aesop rocked
At 10 o’clock are stock
There’s nothing new
And the kids on the block are thru
The new editions
On a mission of frisson
So i’m just skinning
All the cousins that’s kissing
And i’m hoping thats you listenin’
-
So gwine say it and spray it
No other way to convey in layman’s
The Bartholin’s part within
This sequel that’s equally seekin’
Paraurethral speakin’
And leaking the Cowper’s shoutin’
Through poutin’ and puckering
Suckers is sensitive
And you won’t let me me live
Getting yo’ ass eaten in a ski mask meeting
Plastic sheeting completing the scene
Framed in complaining, you name it
You can call me brave
But I ain’t Bruton or Aaron
I’m just for rutting and sharing
With Karen, Darryl and Carol
(“Somebody dragged me out here, and set me on fire”)
But I’m at peace if I git the greasin’
And earnestly learn it,
Burning Hibachis and beating backs
Plugging Hitachis ‘cause no batteries required
I’m fucking tired
Of you sometimey motherfuckers
Chasing, erasing nacently laying claim to Hot Space
Of Dave and Jack and Jace adjacent
To the third base placement
I stay lacing up butters and nutters
Way in the basement saying
Chorus 1x:
I said
You,him, her, your younger brother
(What) your older sister (yeah)
Your baby’s mother
Got your aunts in my pants with your cousins tonight
So you can (call me Mr. Fahrenheit)
I said
You, him, her , your younger brother
(What) your older sister (yeah)
Your baby’s mother
I keep it hot here with your pops
So cop this Rapper’s Delight
And you can (Call me Mr. Fahrenheit
Dutchboy:
think hard think fast think soft think slow think glass
think lavoisier's law of conservation of ass
neither created nor destroyed
only transferred means of productions
in your own two hands, word? sound 'ave power -
the same motion hit the same spot adhorata -
the eighth chakra funky soul spot Bonus round secret level ninja shit
Hit the blood brain barrier 'n it's OK to use spit
for my lube, lube, spit for my lube
oil and water and silicone gel to open the flue
and get the skittles out the jackpot slot son
and assholes are like opinions everybody's got one
and not everybody wants yours BUT I DO!
watch these bodies get bent enthusiastic consent
don't get me wrong; it's not about a transaction
it's a free association of the action reaction
Chorus 1x
(“Somebody dragged me out here and set me on fire!”)
I said
You Him, Her, Your Younger Brother
(What) Your older sister (yea)
Your baby’s mother
Got your aunts in my pants with your cousins tonight
So you can (call me Mr. Fahrenheit)
I said
You Him Her, Your Younger Brother
(What) Your older sister (yea)
Your baby’s mother
I keep it hot here with your pops
So cop this Rappers Delight
And you can (Call me Mr. Fahrenheit)
Juba Kalamka:
You got to bring ass to get ass
quick like, with all deliberate speed
and in excess i bet I’ll give you what you need
For the next phase and flexing the metasex
and texting the specs with one hand
if all goes as planned
we can band together supersonic phonics
‘cause my chronically ill state relates
to Wilma, Freddy, Betty, Barney and Slate
He’s Superstone with a bone
(Beh-hey-hey-hee-haw!)
they and she saw and he saw
Me seesaw with ya pee paw
and ya mee maw
Chorus 1x
(“Stick it up yo ass!”)
-
Lynnee:
IS IT OK TO PUNCH NAZIS?
Group:
YES!
coming for ya
in the rain
can’t hear us.
*
coming for you
after labor day
in white.
*
think we’re a bunch of namby-pamby queers?!?
coming for you
when you sleep
in the night
slavers, jailers no diff
we brought you this deathday gift
learned from the worst tit for tat
take that punch sucker, oh smack
femmes got razors in their hair
we got edges everywhere
detachable dick slap
element o what the fuck was that
Juba Kalamka:
It’s in my eyes (It’s in my eyes)
It’s in my spine (It’s in my spine)
Mama drama weighin'’ heavy on my mind
back in ’75, she wind the oops upside
With a sprocket to your socket
mothafuckally inclined
to cross the line that’s red
I caught a sucker up on Cicero
and Skokie’s in his folio
but polio ain’t stoppin’
Aysie’s aglio e olio
anointment by appointment
first serving the swerving off of 71st
we here to burst your back
into the blackety black
Lynnee, Honey, Drew, Juba:
shoot nails (shoot nails!)
like a handyman (handyman!)
spin round (spin round!)
in a hail of em’ (hail of ‘em!)
hunt you, holy grails
trainhop, hitting rails
black friday, find sales
hard candy, pigtails
(instrumental blowup)
(huh!)
better mouse traps
catch bigger rats
stars n’ bars flap
from the back o your hog
waving us in so we can track
a dirty dog
-
Look how hot her hands get
Look how red her eyes are
Dead inside her world, alive
With a broken heart
She can’t, she won’t
She can’t, she won’t
I can sit right here
Or I can make it clear
Chorus (2x):
Who’s that Girl With A Gun
Who’s that Girl With A Gun
To Her Head
To Her Head
Look how money turns her on
How many men have done her wrong
She don’t even try to act like
She knows anything about life
She can’t, she won’t
She can’t she won’t
Now there’s no more tears
Once she disappears, so
Who’s that Girl With A Gun
Who’s that Girl With A Gun
Who’s that Girl With A Gun
To Her Head
To Her Head
The sophisticated lady of suicide
{Child of war}
Cock pressed against her leg
{Little kid in a jail cell}
Visible thru my night gown
{I can slide thru these bars}
But i choose to loose here
{I own nothing}
just my worthless prick
{My big ass brings me back}
My intellectual property…
{His tongue curls my toes}
Here for you to explore
{and to take, rape and kill}
The only slit is on my arm…
Powerless, between my legs
3x:
and I can feel her in me
and I can see her in me
and I can hear her in me
deep inside
I’m the Girl With A Gun
I’m the Girl With A Gun
I’m the Girl With A Gun
To My Head
To My Head
-
Lynnee Breedlove:
I’m a boy
I got boyboobs
breasticles like testicles
but higher in the hierarchy of male identity
i feel dead they be sending me
to the periphery
cuz i eschew surgery and vitamin t
got no money already had my body modified
traumatized needles and knives
Chorus:
cuz I’m
no ho, no lo
no op at all
spell M-A-N
(mo)
balls to the wall
that’s all
gonna start a support group cuz
i need hugs
called the Big Tiity He-Man Woman Haters Club
(cunt 234)
big lugs
bugged by man boobs jugs
gonna exchange tips on over the counter
strapper downers, flatteners
wrappers so your flappers don’t impede ya
get between ya
when you’re tryina pound her (to a sweet punk sound)
missionary style, but your mounds are drowning her
cuz i m no ho (no whores?)
no (no moans!)
no op at all
spell M-A-N
balls (lil higher)
tits to the wall, that’s all
Juba Kalamka:
I’m my own personal art project
self-obsessed that’s manly, yes
but a real man ain’t so sensitive.
He’s confident
my chest don’t make me best
your chest don’t make you less
cuz we all just want a squishy place where we can
[slow moaning/groaning, quickened breathing]
she don’t even make naked feel fake
skin all raw from yanked duct tape
her gaze makes pecs outta cupcakes
(some guys get pushed outta shape
by pretty boys feeling shitty bout titties)
but cut or not cut ain't cut rate
outside changed or unchanged
inside self-same top shelf maing
cuz I’m no
ma’am sir ma’am
spell M-A-N
balls to the wall, that’s all
-
When she rides, she rides his knife,
cuz she’s ready to die.
And when she walks, she walks in a straight line,
cuz she’s ready to die
and when she talks she tells no lie
cuz she’s ready to die.
And if you're looking for a fight she wouldn't even mind it
cuz she’s ready to die!
Were you talking to me or were you talking to her?
Which girl gets to breathe?
We're you looking for me or were you looking for her?
Which girl Which girl gets to leave?
If she likes, she likes she'll take her life,
‘cuz she’s ready to die
When she speaks she speaks she won’t even deny it,
cuz she’s ready to die.
If she goes she'll go in the middle of the night,
cuz she’s ready to die.
She doesn't give a fuck she won’t even try it.
cuz she’s ready to die.
Were you talking to me or were you talking to her?
Which girl gets to breathe?
We're you looking for me or were you looking for her?
Which girl Which girl gets to leave?
What are you afraid of?
What if I don’t wake up?
Were you talking to me or were you talking to her?
Which girl gets to breathe?
We're you looking for me or were you looking for her?
Which girl Which girl gets to leave?
Lynnee Breedlove:
hold my shot, you say
as you drop
to the floor tiles moving cold
Friday’s calling you
She’s Wrapped in a shred
of a Tony Hawk T
Ollies off the shelf
Throwing books at you
It’s 517 wake the fuck up
rock the fuck out
I died before Sick ‘em came out
You never know
When it’s
your last Hot girl
hot night
Don’t do blow.
dead slow’s
Laced up in it.
Tripping up your trapliness
Fucking up your flow
2x:
What are you afraid of?
What if I don’t wake up?
Lynnee Breedlove:
the pit’s
the precipice
The mic’s true risk
real reckless
barrio queen
your bullets, hollow points
2x:
Were you talking to me or were you talking to her?
Which girl gets to breathe?
We're you looking for me or were you looking for her?
Which girl Which girl gets to leave?
What are you afraid of?
-
(Honey Mahogany):
Every morning when I wake up
Before I put on my makeup
Which one of my demons will find
A way to creep up on me behind
1x:
I really can’t sleep tonight
I really wanna start a fight
Non-Binary Femme, and Black
Tell me am I really on track?
Hold on tight to this rope
Come on give me a little hope
Don’t want this face to crack
2x:
I really can’t sleep tonight
I really wanna start a fight
Chorus
(Krylon Frye and Juba Kalamka) You know I really wanna get up, wake up
You know it’s time for me to get up, wake up
I know I’m gonna get up, wake up
I really wanna get up, wake up
You know I really wanna get up wake up
I really really wanna get up, wake up
You know it’s time for me to get up, wake up
[Honey Mahogany vocalization bridge intro]
Bridge:
(Honey and Drew)
He just kept on looking back
They don’t think I would react
Then he stopped, and I was gone
Girl he felt he could move on So I laid him down with a smack
-
OH, the pain have mercy
Being so low
Come again dishonor
Like a fuckin’ whore
DAGABOW Nepachutie
Here I come
What a sad-ass person
Gonna fucking bleed
Well run along little hippie
And go smoke your weed
Oh the pain and shame and uh, lost in greed
With a rock-hard cock
And freebasing speed
Juba Kalamka:
My duty pleasing booty
Nepachutie
My duty pleasing booty
Awwwwwwwww
Chorus (1x):
DAGABOW Nepachutie
Here I come
DAGABOW Nepachutie
Here I come
DAGABOW Nepachutie
Here I come
Well I’m big Nepachutie
I’m gonna stomp some romp
(Krylon and Juba alternating):
That’s right (yeah)
I’m that big Nepachutie, baby
(mmmhmmph)
Here to stomp some romp
(Oh I ain’t never had my romp stomped before..
…why don’t you tell me a little bit about that?)
Tall as a totem pole
And black as a crow
Crow magic for your face
Get into that space
I say
Tall as a totem pole
And black as a crow
And I talk more shit than a radio
(Juba Kalamka):
My duty pleasing booty
Nepachutie
My duty pleasing booty
Awwwwwwwww
-
We don’t play that shit we play them hits
East Bay to Sucka Free
That’s just why you suck you see
That’s just why you’re fucked you see
We don’t play that shit we play them hits
East Bay to Sucka Free
That’s just why you suck you see
Spaghetti’s why you’re fucked you see
You see him jerk his Willie go round In a circle
Bird make it fly high in the sky
And Billy press on, the less-onn, Never learned in turn
A girlie spurning advances Is taking a chance
Because he frag-ile straight at you
Who knew, boo?
But since his SOB's your job
and seems his mom is the meanest
He screaming "I have a penis!"
and now he wishing for Wesson’s
In session turns on his tribe scribes
and tapping trite lies of brotherhood
you bought that game, Whole cloth and lost
Cable access vids, that was the basement bid
But then the BooTube groove gave fifty million noobs
A platform for scat forms
In dorms in Norman
Doing damage with date rapes and amateur tapes
then penning a petty manifesto, petty manifesto
petty petty petty petty petty manifestos
but where’s the rest, though? Give a rest, yo
I’m a mo with flows (And I love these hoes) but
You mad she wont fuck for free
(But only bad boys get the play)
I’ll stick this in your butt, you see
(You gon'’ make them think I’m gay)
You mad she wont fuck for free
You mad he won’t fuck for free
FREEEEEEEEEEEEEEEEEEEEEEEEEE
You mad she wont fuck for free
FREEEEEEEEEEEEEEEEEEEEEEEEEE
Put this in your butt you’ll see
FREEEEEEEEEEEEEEEEEEEEEEEEEE
That’s how much you suck you see
That’s how much you suck you see
Chorus (1.5x)
(Ragu, Prego, Hunts and Aunt Millie’s, Please!)
You got fifty-seven victims
Of a liar with priors
but you ain’t making a case
you simply saving your face
when the indictments read
you busy buttering bread
and when it drops you cop
and hope it fall face up
he cup his hands to catch
the overflow from the tub
because the tape got dubbed and dubbed
and dubbed and dubbed (ya flubbed it blood)
and to some it look sloppy
but the creepy make copies
de rigeur occurrence, DeRogatis he got it
and here comes the Sun (Times)
you can’t have just one
and with the homies, it’s fun
and its appearance in the rear-view’s closer it seems
because this Fo-Fi-Fo
is just a piece of your dream
hella worse, this curse, the reverse of the beam
and when it burst, shit hurts
it’s the beast in your scheme
we invert that shirt, and increasing the mean
getting terse, this verse, no one’s hearing you scream and
You mad she won’t fuck for free
(But only bad boys get the play)
I’ll stick this in your butt, you see
(You gon’ make them think I’m gay)
You mad she wont fuck for free
You mad he won’t fuck for free
FREEEEEEEEEEEEEEEEEEEEEEEEEE
You mad she wont fuck for free
FREEEEEEEEEEEEEEEEEEEEEEEEEE
Put this in your but you’ll see
FREEEEEEEEEEEEEEEEEEEEEEEEEE
You mad she wont fuck for free
You mad he won’t fuck for free
That’s how much you suck you see
That’s how much you suck you see
That’s how much you suck you see
That’s how much you suck you see
-
Chorus (1x):
we past the trendy part
the skinny end of the chart
no windows open on the BART
no windows open in your heart
let me taste it let me touch it
let me kiss it let me suck it
on the clock is your wish
cause its the shock of the Fish
it’s where the ending starts
its like a friendly dart
my friends are upending the cart
and spilling lies of higher art
let me taste it let me touch it
let me kiss it let me fuck it
taking stock of the sitch
(it was its the shock of the Fish)
Juba Kalamka:
claimed he found it in the back of an F-150
Shifty, nifty and thrifty but ain’t and cain’t admit he gift me, lift the hard-covered coffee table fable In sable brush
and Prismacolored shading and blush It got me waiting for Rush Street
you’re invading
Another Planet and contemplating,
weighing my habits Gary is scary Souf Side but we ain’t talking yet missing distant bells of swole-swell hell
and three way walking it Chalk lines are mine
staying between, the time being foreseeing Face down and ass up
contemplating his state and station,
human beings and meanings deconstructing the fuckin’
the dirty view in thirty-two pieces of kinesthesis
with a rhesus here to blame
we release our fear and out shame
in the megahood begging good
for wood and cold steel
coating onyx in alabast
ass-splitting real for real
on Market Street
where darkies meet
I need to skeet
(but I can’t feel my feet)
Chorus (1x)
J Muscat:
Go West young man
Into the streets of San Francisco
Tonight’s episode free throw with a magical negro
Gary Fisher was the freest man in Sodom Gomorrah Hell
Instead of playing tearoom slave in Carolina Chapel Hill
The Hammertime dance through shame
Framed and transformed
By this snow queen choke fiend
Subway scholar temple whore
The way of the Mandingo ain’t easy or gentle
And when the load goes viral
you’ll need the medical and dental
Chorus 1x Bridge
[first 1981 news report on HIV/AIDS]
J Muscat:
I got to be the devil! Between us!
A hoe in my head! Hoes at the doe!
Hoe in my bed!
Ah, the lives of our fathers
would have buried us
Mothers carried us Through the forest
where we’re sprinkled with fairy dust
Juba Kalamka:
Given the chance to dance
out my conscription
my prescriptions’ advanced
I’m goin’ black to Indiana
‘Bama’s given the chance
if leather weather’s not appropriate
concerning the lot
G owned his yearning and his burn
When he was turning the spot
-
we knew you were gay with Father Figure.
I mean what else could you be.
still, for a long time, only rumors.
a girl of mine she dated Seal
who said she saw you make eyes at him across the pool,
or was it the pool table, at his fancy mansion.
still, you had to be caught in a park bathroom with a cop to come out.
still, nothing changes, even/especially for pop stars,
but that was the last sneaky BJ for you.
next a video in mirrored aviators about public sex and shame
made all ten of us proud as we watched in a San Diego gay bar.
still, you got free.
now I guess your “family" will euphemize your death
from "complications from pneumonia"
or however they’re coding it these days.
your family consists of straight girls
who wanked off to you at 13 because
they couldn’t see your real family was us.
still the plague makes of us diseased pariahs,
even the rich famous successful handsome perfect out ones,
even if we were never sick. we stand for the sick.
we stand up to those who want to defend your honor by saying you weren’t.
and what. we’re better than our dead friends
cuz we didn't die of the plague?
you would have tossed that bullshit aside.
you stood for us. for you.
wear a gold star when you’re not Jewish.
say you’re pos when you’re negative. you’d do it.
although you can’t chime in on this thread,
I have to believe you would have.
see, I do need another hero. I do have faith.
switch a star on your belly.
turn systems of privilege and flags upside down.
right now truth is monumental.
but a lie to make a point is fine as you always were.
we’re sick, and proud of it.
-
(Mamie Till Mobley intro)
Chorus 2x
It might not be such a bad idea
If I never ever ever went home again and then
(Someone called at the door)
(Someone called at the door)
[I was obliged to come….]
Honey for the bees knees, neats and needs
Bringing sweets for the sweets,
Meats with treats with peas
It be magic from the art-damaged radical faggot
Get to Frenching like Sebastian Cabot
Lines staggered but ‘Im back in the habit
Fackin’ and crackin’
Prolly Bobby Sengstacke as the backer
Tracking the news
Maybe Jet mag is rappin’ the blues
Fan blades and wires the same
Cutty Wise indicting the game
Moses posed in withered light
And ain’t too frightened to name
With “thar he!” We fly free, from the trees we swang
See the Mississippi muddying,
We shuddering and studying
The nutty been a-cruddying
And sudden with they sullying and
(Stuttering, uttering)
Chorus 2x
Johnny Coffey got it off me
Tallahatchie bout to catch me
Cause they lying and I’m dying
And nobody’s gonna ask me
Mama Mamie is awaiting
Cuz they sent me in a crate and
Saints is fittin’ for the witnessing
So see you at the wake and
I ain’t in it no more
The world has got me so sore
Slo-mo in front of the store
Is all the chores
Gotta go for a ride
The flies know i’m the Lord
My insides, a portal
I’m a lorry to Nevermore
The Raven fades the craven
For the score and the seven more
The maven’s gonna save you
From the bloodying, buddying
From Jackson down to Coffeyville to Money and
Disseminating lemonade
And praying for the sun again
My Uzi weighs a ton again
(Stuttering uttering)
Chorus 2x
Bridge (8x:)
Sweets for the sweet meats, honey for the bees
From Emmett Till the day i die, flying from the trees
Outro (4x:)
Is this him, is this him, is this hymn?
Is this him, is this hymn, is this Emmett?
-
Chorus 4x:
I got the bêtes baby
I got the bêtes baby
I got the bêtes baby
Drank some diet soda maybe
(Drankin' diet soda daily)
Verse 1:
Don’t want them chopping my nose
Or any fingers or toes
And no neuropathy stopping me
Dropped a size in my clothes
Metabolism in schism
Forgetting prose and my rhythm
I spend my evening in scheming
Hell no, you’re not gonna get him
Pre-Chorus 1x:
So what’s it gonna be?
I have to pee
Why can’t you see
My ‘betes, my ‘betes?
Chorus 4x
Verse 2:
They keep on saying you losing weight
And you’ve never looked better
My pants once gripped now slip they my hips
And I’m swimming in sweaters
Better a prick with a fingerstick
Just a beater with meter readings
Completed a journal logging
The slog of the meat i’m eating
Forboding the carbo loading
And sweets omnipresent
It’s messing, stressing ‘bout dressing
And less of cornbread and crescents
You see my sugar is snookered
His mouth is dryer than cotton
I’m stocking Wyler’s and Zero
Before I’m gone and forgotten
2nd Pre-chorus:
So what’s it gonna be?
I have to pee
Why can’t you see
My ‘betes, my ‘betes?
I place a lemon slice
Makes colas taste nice
Broke Zero’s my life
That black can be manly
3rd Pre-chorus/outro:
What’s it gonna be?
I have to pee
Why can’t you see
My ‘betes, my ‘betes?
I place a lemon slice
Makes colas taste nice
Broke Zero’s my life
That black can be manly
D-I-E-T! P-I-B-B!
D-I-E-T! P-I-B-B!
D-I-E-T! P-I-B-B!
D-I-E-T! P-I-B-B!