• Nawathinkawafuh! (Uh! Ah!)

    Nawathinkawafuh! (Uh! Ah!)

    Nawathinkawafuh! (Uh! Ah!)

    I said this nut might kill us!

    I see a pinhole yo

    and the goal is your soul that I’m fishing fo’

    wishing fo’ a Marlon boat

    slowly rigging the sails,

    got a hold of his coat tail

    and lift the back

    so I can jack in a Gyllenhaal crack

    transmit the facts

    and fill a Ledger with info, and then go

    back to the future

    we can double your pleasure

    hit the button, pull the lever, whenever

    trouble the water with bubbles

    it’s a Yemaya seminar

    clever endeavoring, weathering, bettering

    sever the tethering

    from this world to the next

    lucky to duck it so get to flexing the metasex

    (‘cause I like you, you Black like me)

    get in the back like me

    when they ask for three I.D.

    Ya see the DDC and the AZT

    You me and he

    And the future that might be

    a medicine song

    I know you faking cause you taking too long

    Chorus 2x

    In the backs of cars, on the backs of trucks

    In the back for ours, all the snacks and sluts

    I’mma tighten you up, then I’mma tighten you up

    You say you frightened of what?

    but now it’s griping your gut,

    and got you wiping your butt

    they been typing it up, they got a ‘scrip for us

    we in the gifted class

    said he was smarter than the average bear

    so the damage barely missed his ass

    ‘til the next time, sex in the next rhyme

    filled to the hilt with that survivor guilt

    and then the tea got spilt

    you see how he got kilt

    the pinball tilt, the end of the game

    the quilt with the name

    the wall of fame

    the shame and the blame (Hey!)

    his aim was hella true

    but then it came with the flu

    and there was no way they could know

    until it came into view

    ‘cause seeing grapes

    was the fate, and the tale of the tape

    and hit the clinic

    while he dying Mama trying to spin it

    Chorus 2x

    Bridge (4x):

    time to get ill/so we swallow that pill

    (4x):

    This nut might kill us/this nut might kill us

    Hotel, motel stay on the scene

    No fats, no femmes, no space in between

    A Dinge Queen, Snow Queen, Muscle Queen preens

    Mirror-Mirror, tell me that you seeing what I seen

    You like it how I mike it, and you want me on your team

    The cream, the triple beam, cooking up a scheme

    The streets is on fire with desire for the gleam

    The queers at the piers for some ‘you know what I mean’

    Elohim and my Baba Ibrahim in the dream

    The rookies and the hookers steady cooking up a scheme for the peen

    Essex in the message with the lesson to redeem

    Look me up, I’mma see you in the steam

    we getting Buck

    Chorus 2x

    Outro (3x):

    I strive to be strong

    til the end of the song

    Can you feel us?

    The violence of the silence just might kill us

    (I can feel it)

    (I can feel it)

    (I can feel it)

  • J to the Igga! B to the Izz-ooh! Finga the trigga! swing with the sickle!

    D to the Ev-eye! E to the Ev-ill! Hit like a semi! he come to level!

    ten thousand men named George will forge ahead

    so know that he was born

    to swell a pumpkinhead, and dead

    curse a hellzapoppin’ allotment,

    proppa-doppa, sloppy like a Burger King Whopper

    poppin’ shots at Dorsey’s Locker (you got it!)

    Great Migration to northern states,

    loans, and fates unknown

    moans that droned on and kep’ on goin’

    find that hair-rhein binds minds, the nod of gods

    hundred sixteenth time sign (and finding the rod!)

    and looky dat dere, you watch out now,

    the boom-boom-pow, the what-when-wow, the kak-kat kow

    A Night Train to Terror (errybody got something to do!)

    Tomorrow, we hit Scottsboro (for luggage and umbrage)

    this bile is bilin’ in ya stomach and we plummet the tonnage

    droppin’ weight and feelin’ great

    it’s feeling spacious, these acres

    all the Herbs at the curb,

    Cap’n cappin’ all the fakers

    and the racists donkey-brayin’,

    but the paper’s sayin’

    Chorus (1x):

    Word! I though you knew, it’s cause the devil’s due

    Yea It’s certain you goin’ learn today

    Cuz it’s curtains, you ain’t skirtin’ all this hell to pay (and say)

    Worse! it hurts, this truth, It’s cuz the devil’s due

    Yeah, just wear it, cause you fits dat shoe

    Word! I thought you knew

    Here come the devil, he’s come to level

    Here come the devil, he’s come to level

    (Here come the devil!)

    Pre-verse (2x)

    You see him keep it holly-jolly

    Follow Cholly to the sleepers he creepin’,

    Miss Molly hollers, J acknowledge her beeping

    and keep her company, go fluff up her pillows,

    then bring her sweetmeats,

    and turn up the sheets to get her neat,

    (and wipe the fog off the windows…)

    and his emission’s complete,

    but it’s a long train comin’, and a feat to compete

    in the street, D catch the beats

    and like to stir with the bird

    he keep it workin’ and you prayin’

    for the end of the verse

    and you can hear him sayin’

    Chorus (1x)

    Bridge:

    JD’s our hope and scream, Red Black and Green

    and though the skies be gray with lies

    that hide the truth

    we’ll come through hell

    with bells that knell, our Devil’s due

    that yell that Weldon spelled,

    that stony road we knew,

    and though the lies, they fly

    from Ofay’s eyes of blue

    they’ll take this L

    come shots and shells of Jigaboo

    they’ll take this L

    come shots and shells from Jigaboo

  • Haww Stick it, Fuck it, Do it, Swing it

    Stick it, Fuck It, Do It, Haww

    how you gon' work it baby baby?

    maybe keep it on lock

    you the master, move it faster

    flashing Average Black Cock

    he be managing the damage

    with a sausage cuz they famished

    and they clamor for the Unforgivable

    from Liverpool to Shinjuku

    to North Lawndale, Ninety-Fifth and State

    among the ways I get paid

    Is when I raise my rate

    (it costs me to live, gifts that I give, stick to your ribs)

    with misters on a mission

    wanna slob at Nob Hill

    where the bootyfinger lingers

    and a ringer gives a thrill

    but I got no chill

    though it leaves me kinda cold

    how they stutter at the other

    and the brother’s getting old

    and the truth be getting told

    In the booth where we boosting gold

    when we sold to America and scaring ya

    (shaking my pants. Like how I dance, this is your chance...)

    to swing it

    Chorus 4x:

    Juba:

    where can I/find a man like you

    To chew thru, brew and poppers

    Lynnee:

    sloppy your approach I’ll coach, take notes

    we’ll stop the clock at 10 to 2

    cause time is just a concept

    wreck it to the hourly

    dicking for a nickel?

    better better bet for me’s a shower scene

    one and done, dabba do it, Fluid intuit,

    getcha back I'mma stack up

    cuz I’m knowin'' dat

    (way to get paid, spraying the ‘naise

    ‘fraid, and you skurred)

    cause you begging for pegging

    like a dicking with a Doc

    is just a stop before some regular legging

    ass-wrecking and reckon, record time to finish

    I be grantin’ all your wishes, your emissions diminish

    winning hustle Is the mussel

    from a shell that knells

    Banquo for hoes and all the stones that tell

    I’m givin’ hell

    (a tale of a sale, king of the slang, ding-a-ling-sing)

    when the meaty meat gets to swing

    Chorus 4x:

    Bridge (4x)

    (Lynnee/Juba alternating)

    You’re Satisfied! (You’re satisfied!)

    Outro:(4x)

    (Juba/Lynnee):

    swing in your area

    (cuz I’m the one to hit it)

    you know I’ll take care of ya

    (you got come and get it)

    swing in your area

    (you know I’m getting on it)

    you know I’ll take care of ya

    (because you know you want it)

    Lynnee Breedlove:

    and you’re watching the ducks

    floating on Stone Lake

    post-fuck bliss

    after Meatswinga done served you up

    and all the ghosts of the dead boys

    be floating round your head

    in their Daisy Dukes

    after you got what you paid for

    cuz you hella rich

    you gentrifying son of a bitch, yeah

    you can afford the very best in dick

    and that’s why you call the Meatswinga

    la la lee lah la la la la la

    that’s the thoughts left in your little brain

  • it was '82,

    me and my girl we did it one time,

    said I love you, moved in together.

    that's how you did.

    never considered people might think an interracial couple was something.

    we were in that love bubble, and it was Oakland.

    full of black people and white people. no big.

    '83 we moved to another hood in Oaktown, an apartment building.

    still stood out as the black and white dykes.

    still didn’t care.


    driving her 64 chevy pickup, I heard this pornografalsetto song

    and thought, whoa, who's this chick getting so personal on the radio. 


    then the DJ said, "that was prince singing Do Me Baby,"

    and I said oh shit I need to pay more attention to this genderfucker.

    we moved to the white neighborhood.

    still standing out. still not caring,

    but I think it started to wear on us a little, specially her. 


    being the only white dyke in a black hood

    was different than being the only black dyke in a white neighborhood.

    '84, my best friend from hi skool told me he was positive.

    I got off the phone and broke down. 
I

    sat in the living room that year

    under the Gone with the Wind spoof poster

    of Thatcher and Reagan with the mushroom cloud in the background.

    watched Mad Max, Brother From Another Planet,

    Liquid Sky, The Hunger, Christiane F, and Sid and Nancy,

    6 times each before returning them to the video store.

    drank a million Buds and Slip n Slid with our pals in our wifebeaters

    and mirrored cop shades before they became wife pleasers.

    we most definitely weren’t wife beaters

    beating the hell out of each other over a freebase pipe.

    sat in front of Grandma's converted TV console,

    high lacquer cherrywood cabinet full of records and a turntable. 


    drank myself silly to Howlin' Wolf and Lightnin' Hopkins,

    and Gil Scott and Suzie Quatro and the B52s. 


    for hours, listening to Prince's Controversy,

    turning the album cover over in my hands,

    analyzing. did he really mean it?

    did he love us that much?

    was he really saying this?

    (****)

    "Am I black or white, am I straight or gay?..


    People call me rude, I wish we all were nude


    I wish there was no black and white, 


    I wish there were no rules…"

    we were all alone in a world where Christians wanted us dead,

    but there was Prince, coke and whisky and Starfish and Coffee

    and Let's Go Crazy and Jack U Off and Annie Christian

    and Purple Rain, a cult crossover hit,

    and Under the Cherry Moon, panned by critics,

    but he could do no wrong,

    and ruffled shirts and romance and femme dykes onstage,

    his spittin' image, girl versions of him,

    a narcissist dream of straight acting queers fucking the mirror

    like there might be something going on,

    just like us and our pals, brown and black and white,

    fags n dykes passing joints at the disco,

    sexy even if there was a plague, one big cuddle party.

    it didn’t feel lonesome.

    it felt right and like motherfuckers better make room for us

    because if they didn’t, we were coming through anyway,

    led by the most fearless, least fucks-giving motherfucker on the planet

    with all the moves and a voice

    that could go from girl to boy in a second.

    if he wasn’t intimidated, neither were we.

    '89, me and my records got tossed on the street

    cuz I got high and everyone was mad.

    2016 I’m ashamed now more than I was that day,

    because when I look to pay homage to the man,

    I gotta go on the internet like some kinda poser,

    cuz I never bought new Prince records.

    the night after he leaves us, it's a full moon.

    I put on When Doves Cry, but it keeps stopping in the middle

    because everyone in the world is playing it

    becuz somewhere along the line we all lost our records.

    the clouds are all over the moon.

    she’s real big behind that cloud cover, I can tell.

    I light the candles and say,

    Come out, you gotta call him home.

    and the clouds part, and I say,

    I’m sorry Prince. I lost the records.

    I’m sorry. it's not that I ever stopped loving you.

    I just thought you’d always be there.

  • Mykki raps wrath to men condescending

    how they’ll pay her (‘EM)

    “This ain’t a hobby!”

    calls us to her (‘EM)

    “Circle up circle up,”

    Tales from the periphery

    a hymn of stolen property.

    balls of lightening shoot out her hands

    at a history of bastards.

    what’s the deal with pronouns.

    why align with fuckheads.

    times like UsToo why choose this team

    of not so righteous dudes?

    to be as in a life briefly recalled

    as we squoze down the long hall

    holy said Ginsberg

    are those between worlds.

    be exceptions.

    straighten the rest out.

    Hey you guys, I mean friends

    this way to humanity!

    model correct behavior,

    change other men?

    someone’s gotta.…prolly Them.

    in the OG sense they

    were the enemy

    as in them …Against Me!

    Then They became Us

    Guided by guts

    we went

    From

    punks

    to old dykes—

    1 tran, 2 trans

    they! bold leap out of binary bins.

    -pronouns? refuse em

    -Make up some

    Shake up cis-tems ascribed to parts and

    Confuse ‘em.

    girls are so cool.

    sometimes I wish I was one.

    men get free tickets to everything

    professional sports? tom of finland?

    that’s hot.

    I'm more like a mascot.

    hey you guys,

    I mean people….

    pronoun showdown with

    the guy at home depot

    he don’t know

    sir ma’am sir

    spotlight on me now.

    whole store is staring

    -what now

    Mykki Blanco

    once said

    my trans journey’s who I am.

    abandon us fugitives?

    Naw

    you stand with us,

    let us see into the mutable deep,

    you free us.

    They say

    explain yourself.

    -tired of educating.

    I would claim They themself

    if we’re gonna go plural

    how bout the royal We?

    -I was never a king.

    what’s in your boxers?

    none-ya

    Like Drew from Trap Girl,

    N Star Amerasu,

    we’re hawking

    truth loogies

    into the mouths of babes

    Like birdies waiting

    at the foot of stages

    -We got drawers fulla rage

    —that’s what

    now Mykki Blanco,

    lead us out.

    we’re bleeding out.

    jack H covered masculinity.

    it’s all toxicity.

    “I wanna be like Mykki.*

    fingers splayed, wrist cocked,

    mic stand flung across

    shoulders, classic Cooper Lee

    galvanizing

    tucked/untucked,

    won’t be androgenized,

    fucked, unfucked.

    -you instruct us:

    We must protect black children.

    We must protect black trans women.

    eradicate prisons.

    still need Abolition.

    race me, full of grace,

    embrace,

    show up for our own ass,

    goddess incarnate.

    *Dare us.

    Call our manliness toxic.*

    we’re the beloved who loves you,

    reason for all moves.

    throw us skyward, trust.

    -you’ll land in the midst of us

  • Chorus (2x):

    Some

    Some of your friends are already this fucked

    And it’s too late to car, he ate the angel hair

    (i said) some

    Some of your friends are already this fucked, yeah

    She signed the deal memo, so now it’s time to go

    Juba Kalamka:

    There’s no dance without finance

    You better call saul zaenz

    He has your pants and shirt

    He’s in a yurt in santa rosa

    Supposing you frozen

    On a poster and posing

    Til the deal is closed

    The heatwave will save you

    By the skin of your nose

    Toby ran away but now he’s losing his toes

    So your feets might fail you

    In your attempts to save face

    Westbound to casablanca's

    Yes, a roundabout space, in case

    You ever wondered 'bout fullfilling the first

    If there’s any on the penny

    Still the best is the,worst and you’re cursed

    And well versed in curved air

    And there’s the flair on your shirt

    With gold dust and nuts busting

    For the spill at the brill

    Building billing on the silence

    And the license to shill

    Petty tyrants to kill

    You still begetting rhythm methods

    Birthing babies with maybes

    Main ingredient, i’m peeing the euphrates to hades

    As i jump in my mercedes, imma say it again

    Chorus (2x)

    Is rule 4080 a section

    Or an ordinal direction

    Or a lowered expectation

    From the ye of little faith

    Possessed of even less patience

    When they marvel at my cadence

    Or the salient relation

    Of my statements to the latest

    Overnighted excited

    You could fight it

    If you got the underwriting

    For the lightning in the bottle

    That follows

    And though i caught it

    There’s a moth

    That’s getttng

    Yhrottled and mottled

    You can’t keep it for sleeping

    So get it ready for the creepin’

    (and why must you always be)

    Cause little stevie had a trust,

    Adjust

    The felt that’s turning on the plate

    In states with belts that’s rust

    And there’s the cut after the cut

    Contracted and enacted

    With the backing

    But the label ain’t stable

    And the fables that aesop rocked

    At 10 o’clock are stock

    There’s nothing new

    And the kids on the block are thru

    The new editions

    On a mission of frisson

    So i’m just skinning

    All the cousins that’s kissing

    And i’m hoping thats you listenin’

  • So gwine say it and spray it

    No other way to convey in layman’s

    The Bartholin’s part within

    This sequel that’s equally seekin’

    Paraurethral speakin’

    And leaking the Cowper’s shoutin’

    Through poutin’ and puckering

    Suckers is sensitive

    And you won’t let me me live

    Getting yo’ ass eaten in a ski mask meeting

    Plastic sheeting completing the scene

    Framed in complaining, you name it

    You can call me brave

    But I ain’t Bruton or Aaron

    I’m just for rutting and sharing

    With Karen, Darryl and Carol

    (“Somebody dragged me out here, and set me on fire”)

    But I’m at peace if I git the greasin’

    And earnestly learn it,

    Burning Hibachis and beating backs

    Plugging Hitachis ‘cause no batteries required

    I’m fucking tired

    Of you sometimey motherfuckers

    Chasing, erasing nacently laying claim to Hot Space

    Of Dave and Jack and Jace adjacent

    To the third base placement

    I stay lacing up butters and nutters

    Way in the basement saying

    Chorus 1x:

    I said

    You,him, her, your younger brother

    (What) your older sister (yeah)

    Your baby’s mother

    Got your aunts in my pants with your cousins tonight

    So you can (call me Mr. Fahrenheit)

    I said

    You, him, her , your younger brother

    (What) your older sister (yeah)

    Your baby’s mother

    I keep it hot here with your pops

    So cop this Rapper’s Delight

    And you can (Call me Mr. Fahrenheit

    Dutchboy:

    think hard think fast think soft think slow think glass

    think lavoisier's law of conservation of ass

    neither created nor destroyed

    only transferred means of productions

    in your own two hands, word? sound 'ave power -

    the same motion hit the same spot adhorata -

    the eighth chakra funky soul spot Bonus round secret level ninja shit

    Hit the blood brain barrier 'n it's OK to use spit

    for my lube, lube, spit for my lube

    oil and water and silicone gel to open the flue

    and get the skittles out the jackpot slot son

    and assholes are like opinions everybody's got one

    and not everybody wants yours BUT I DO!

    watch these bodies get bent enthusiastic consent

    don't get me wrong; it's not about a transaction

    it's a free association of the action reaction

    Chorus 1x

    (“Somebody dragged me out here and set me on fire!”)

    I said

    You Him, Her, Your Younger Brother

    (What) Your older sister (yea)

    Your baby’s mother

    Got your aunts in my pants with your cousins tonight

    So you can (call me Mr. Fahrenheit)

    I said

    You Him Her, Your Younger Brother

    (What) Your older sister (yea)

    Your baby’s mother

    I keep it hot here with your pops

    So cop this Rappers Delight

    And you can (Call me Mr. Fahrenheit)

    Juba Kalamka:

    You got to bring ass to get ass

    quick like, with all deliberate speed

    and in excess i bet I’ll give you what you need

    For the next phase and flexing the metasex

    and texting the specs with one hand

    if all goes as planned

    we can band together supersonic phonics

    ‘cause my chronically ill state relates

    to Wilma, Freddy, Betty, Barney and Slate

    He’s Superstone with a bone

    (Beh-hey-hey-hee-haw!)

    they and she saw and he saw

    Me seesaw with ya pee paw

    and ya mee maw

    Chorus 1x

    (“Stick it up yo ass!”)

  • Lynnee:

    IS IT OK TO PUNCH NAZIS?

    Group:

    YES!

    coming for ya

    in the rain

    can’t hear us.

    *

    coming for you

    after labor day

    in white.

    *

    think we’re a bunch of namby-pamby queers?!?

    coming for you

    when you sleep

    in the night

    slavers, jailers no diff

    we brought you this deathday gift

    learned from the worst tit for tat

    take that punch sucker, oh smack

    femmes got razors in their hair

    we got edges everywhere

    detachable dick slap

    element o what the fuck was that

    Juba Kalamka:

    It’s in my eyes (It’s in my eyes)

    It’s in my spine (It’s in my spine)

    Mama drama weighin'’ heavy on my mind

    back in ’75, she wind the oops upside

    With a sprocket to your socket

    mothafuckally inclined

    to cross the line that’s red

    I caught a sucker up on Cicero

    and Skokie’s in his folio

    but polio ain’t stoppin’

    Aysie’s aglio e olio

    anointment by appointment

    first serving the swerving off of 71st

    we here to burst your back

    into the blackety black

    Lynnee, Honey, Drew, Juba:

    shoot nails (shoot nails!)

    like a handyman (handyman!)

    spin round (spin round!)

    in a hail of em’ (hail of ‘em!)

    hunt you, holy grails

    trainhop, hitting rails

    black friday, find sales

    hard candy, pigtails

    (instrumental blowup)

    (huh!)

    better mouse traps

    catch bigger rats

    stars n’ bars flap

    from the back o your hog

    waving us in so we can track

    a dirty dog

  • Look how hot her hands get

    Look how red her eyes are

    Dead inside her world, alive

    With a broken heart

    She can’t, she won’t

    She can’t, she won’t

    I can sit right here

    Or I can make it clear

    Chorus (2x):

    Who’s that Girl With A Gun

    Who’s that Girl With A Gun

    To Her Head

    To Her Head

    Look how money turns her on

    How many men have done her wrong

    She don’t even try to act like

    She knows anything about life

    She can’t, she won’t

    She can’t she won’t

    Now there’s no more tears

    Once she disappears, so

    Who’s that Girl With A Gun

    Who’s that Girl With A Gun

    Who’s that Girl With A Gun

    To Her Head

    To Her Head

    The sophisticated lady of suicide

    {Child of war}

    Cock pressed against her leg

    {Little kid in a jail cell}

    Visible thru my night gown

    {I can slide thru these bars}

    But i choose to loose here

    {I own nothing}

    just my worthless prick

    {My big ass brings me back}

    My intellectual property…

    {His tongue curls my toes}

    Here for you to explore

    {and to take, rape and kill}

    The only slit is on my arm…

    Powerless, between my legs

    3x:

    and I can feel her in me

    and I can see her in me

    and I can hear her in me

    deep inside

    I’m the Girl With A Gun

    I’m the Girl With A Gun

    I’m the Girl With A Gun

    To My Head

    To My Head

  • Lynnee Breedlove:

    I’m a boy

    I got boyboobs

    breasticles like testicles

    but higher in the hierarchy of male identity

    i feel dead they be sending me

    to the periphery

    cuz i eschew surgery and vitamin t

    got no money already had my body modified

    traumatized needles and knives

    Chorus:

    cuz I’m

    no ho, no lo

    no op at all

    spell M-A-N

    (mo)

    balls to the wall

    that’s all

    gonna start a support group cuz

    i need hugs

    called the Big Tiity He-Man Woman Haters Club

    (cunt 234)

    big lugs

    bugged by man boobs jugs

    gonna exchange tips on over the counter

    strapper downers, flatteners

    wrappers so your flappers don’t impede ya

    get between ya

    when you’re tryina pound her (to a sweet punk sound)

    missionary style, but your mounds are drowning her

    cuz i m no ho (no whores?)

    no (no moans!)

    no op at all

    spell M-A-N

    balls (lil higher)

    tits to the wall, that’s all

    Juba Kalamka:

    I’m my own personal art project

    self-obsessed that’s manly, yes

    but a real man ain’t so sensitive.

    He’s confident

    my chest don’t make me best

    your chest don’t make you less

    cuz we all just want a squishy place where we can

    [slow moaning/groaning, quickened breathing]

    she don’t even make naked feel fake

    skin all raw from yanked duct tape

    her gaze makes pecs outta cupcakes

    (some guys get pushed outta shape

    by pretty boys feeling shitty bout titties)

    but cut or not cut ain't cut rate

    outside changed or unchanged

    inside self-same top shelf maing

    cuz I’m no

    ma’am sir ma’am

    spell M-A-N

    balls to the wall, that’s all

  • When she rides, she rides his knife,

    cuz she’s ready to die.

    And when she walks, she walks in a straight line,

    cuz she’s ready to die

    and when she talks she tells no lie

    cuz she’s ready to die.

    And if you're looking for a fight she wouldn't even mind it

    cuz she’s ready to die!

    Were you talking to me or were you talking to her?

    Which girl gets to breathe?

    We're you looking for me or were you looking for her?

    Which girl Which girl gets to leave?

    If she likes, she likes she'll take her life,

    ‘cuz she’s ready to die

    When she speaks she speaks she won’t even deny it,

    cuz she’s ready to die.

    If she goes she'll go in the middle of the night,

    cuz she’s ready to die.

    She doesn't give a fuck she won’t even try it.

    cuz she’s ready to die.

    Were you talking to me or were you talking to her?

    Which girl gets to breathe?

    We're you looking for me or were you looking for her?

    Which girl Which girl gets to leave?

    What are you afraid of?

    What if I don’t wake up?

    Were you talking to me or were you talking to her?

    Which girl gets to breathe?

    We're you looking for me or were you looking for her?

    Which girl Which girl gets to leave?

    Lynnee Breedlove:

    hold my shot, you say

    as you drop

    to the floor tiles moving cold

    Friday’s calling you

    She’s Wrapped in a shred

    of a Tony Hawk T

    Ollies off the shelf

    Throwing books at you

    It’s 517 wake the fuck up

    rock the fuck out

    I died before Sick ‘em came out

    You never know

    When it’s

    your last Hot girl

    hot night

    Don’t do blow.

    dead slow’s

    Laced up in it.

    Tripping up your trapliness

    Fucking up your flow

    2x:

    What are you afraid of?

    What if I don’t wake up?

    Lynnee Breedlove:

    the pit’s

    the precipice

    The mic’s true risk

    real reckless

    barrio queen

    your bullets, hollow points

    2x:

    Were you talking to me or were you talking to her?

    Which girl gets to breathe?

    We're you looking for me or were you looking for her?

    Which girl Which girl gets to leave?

    What are you afraid of?

  • (Honey Mahogany):

    Every morning when I wake up

    Before I put on my makeup

    Which one of my demons will find

    A way to creep up on me behind

    1x:

    I really can’t sleep tonight

    I really wanna start a fight

    Non-Binary Femme, and Black

    Tell me am I really on track?

    Hold on tight to this rope

    Come on give me a little hope

    Don’t want this face to crack

    2x:

    I really can’t sleep tonight

    I really wanna start a fight

    Chorus

    (Krylon Frye and Juba Kalamka) You know I really wanna get up, wake up

    You know it’s time for me to get up, wake up

    I know I’m gonna get up, wake up

    I really wanna get up, wake up

    You know I really wanna get up wake up

    I really really wanna get up, wake up

    You know it’s time for me to get up, wake up

    [Honey Mahogany vocalization bridge intro]

    Bridge:

    (Honey and Drew)

    He just kept on looking back

    They don’t think I would react

    Then he stopped, and I was gone

    Girl he felt he could move on So I laid him down with a smack

  • OH, the pain have mercy

    Being so low

    Come again dishonor

    Like a fuckin’ whore

    DAGABOW Nepachutie

    Here I come

    What a sad-ass person

    Gonna fucking bleed

    Well run along little hippie

    And go smoke your weed

    Oh the pain and shame and uh, lost in greed

    With a rock-hard cock

    And freebasing speed

    Juba Kalamka:

    My duty pleasing booty

    Nepachutie

    My duty pleasing booty

    Awwwwwwwww

    Chorus (1x):

    DAGABOW Nepachutie

    Here I come

    DAGABOW Nepachutie

    Here I come

    DAGABOW Nepachutie

    Here I come

    Well I’m big Nepachutie

    I’m gonna stomp some romp

    (Krylon and Juba alternating):

    That’s right (yeah)

    I’m that big Nepachutie, baby

    (mmmhmmph)

    Here to stomp some romp

    (Oh I ain’t never had my romp stomped before..

    …why don’t you tell me a little bit about that?)

    Tall as a totem pole

    And black as a crow

    Crow magic for your face

    Get into that space

    I say

    Tall as a totem pole

    And black as a crow

    And I talk more shit than a radio

    (Juba Kalamka):

    My duty pleasing booty

    Nepachutie

    My duty pleasing booty

    Awwwwwwwww

  • We don’t play that shit we play them hits

    East Bay to Sucka Free

    That’s just why you suck you see

    That’s just why you’re fucked you see

    We don’t play that shit we play them hits

    East Bay to Sucka Free

    That’s just why you suck you see

    Spaghetti’s why you’re fucked you see

    You see him jerk his Willie go round In a circle

    Bird make it fly high in the sky

    And Billy press on, the less-onn, Never learned in turn

    A girlie spurning advances Is taking a chance

    Because he frag-ile straight at you

    Who knew, boo?

    But since his SOB's your job

    and seems his mom is the meanest

    He screaming "I have a penis!"

    and now he wishing for Wesson’s

    In session turns on his tribe scribes

    and tapping trite lies of brotherhood

    you bought that game, Whole cloth and lost

    Cable access vids, that was the basement bid

    But then the BooTube groove gave fifty million noobs

    A platform for scat forms

    In dorms in Norman

    Doing damage with date rapes and amateur tapes

    then penning a petty manifesto, petty manifesto

    petty petty petty petty petty manifestos

    but where’s the rest, though? Give a rest, yo

    I’m a mo with flows (And I love these hoes) but

    You mad she wont fuck for free

    (But only bad boys get the play)

    I’ll stick this in your butt, you see

    (You gon'’ make them think I’m gay)

    You mad she wont fuck for free

    You mad he won’t fuck for free

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    You mad she wont fuck for free

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    Put this in your butt you’ll see

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    That’s how much you suck you see

    That’s how much you suck you see

    Chorus (1.5x)

    (Ragu, Prego, Hunts and Aunt Millie’s, Please!)

    You got fifty-seven victims

    Of a liar with priors

    but you ain’t making a case

    you simply saving your face

    when the indictments read

    you busy buttering bread

    and when it drops you cop

    and hope it fall face up

    he cup his hands to catch

    the overflow from the tub

    because the tape got dubbed and dubbed

    and dubbed and dubbed (ya flubbed it blood)

    and to some it look sloppy

    but the creepy make copies

    de rigeur occurrence, DeRogatis he got it

    and here comes the Sun (Times)

    you can’t have just one

    and with the homies, it’s fun

    and its appearance in the rear-view’s closer it seems

    because this Fo-Fi-Fo

    is just a piece of your dream

    hella worse, this curse, the reverse of the beam

    and when it burst, shit hurts

    it’s the beast in your scheme

    we invert that shirt, and increasing the mean

    getting terse, this verse, no one’s hearing you scream and

    You mad she won’t fuck for free

    (But only bad boys get the play)

    I’ll stick this in your butt, you see

    (You gon’ make them think I’m gay)

    You mad she wont fuck for free

    You mad he won’t fuck for free

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    You mad she wont fuck for free

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    Put this in your but you’ll see

    FREEEEEEEEEEEEEEEEEEEEEEEEEE

    You mad she wont fuck for free

    You mad he won’t fuck for free

    That’s how much you suck you see

    That’s how much you suck you see

    That’s how much you suck you see

    That’s how much you suck you see

  • Chorus (1x):

    we past the trendy part

    the skinny end of the chart

    no windows open on the BART

    no windows open in your heart

    let me taste it let me touch it

    let me kiss it let me suck it

    on the clock is your wish

    cause its the shock of the Fish

    it’s where the ending starts

    its like a friendly dart

    my friends are upending the cart

    and spilling lies of higher art

    let me taste it let me touch it

    let me kiss it let me fuck it

    taking stock of the sitch

    (it was its the shock of the Fish)

    Juba Kalamka:

    claimed he found it in the back of an F-150

    Shifty, nifty and thrifty but ain’t and cain’t admit he gift me, lift the hard-covered coffee table fable In sable brush

    and Prismacolored shading and blush It got me waiting for Rush Street

    you’re invading

    Another Planet and contemplating,

    weighing my habits Gary is scary Souf Side but we ain’t talking yet missing distant bells of swole-swell hell

    and three way walking it Chalk lines are mine

    staying between, the time being foreseeing Face down and ass up

    contemplating his state and station,

    human beings and meanings deconstructing the fuckin’

    the dirty view in thirty-two pieces of kinesthesis

    with a rhesus here to blame

    we release our fear and out shame

    in the megahood begging good

    for wood and cold steel

    coating onyx in alabast

    ass-splitting real for real

    on Market Street

    where darkies meet

    I need to skeet

    (but I can’t feel my feet)

    Chorus (1x)

    J Muscat:

    Go West young man

    Into the streets of San Francisco

    Tonight’s episode free throw with a magical negro

    Gary Fisher was the freest man in Sodom Gomorrah Hell

    Instead of playing tearoom slave in Carolina Chapel Hill

    The Hammertime dance through shame

    Framed and transformed

    By this snow queen choke fiend

    Subway scholar temple whore

    The way of the Mandingo ain’t easy or gentle

    And when the load goes viral

    you’ll need the medical and dental

    Chorus 1x Bridge

    [first 1981 news report on HIV/AIDS]

    J Muscat:

    I got to be the devil! Between us!

    A hoe in my head! Hoes at the doe!

    Hoe in my bed!

    Ah, the lives of our fathers

    would have buried us

    Mothers carried us Through the forest

    where we’re sprinkled with fairy dust

    Juba Kalamka:

    Given the chance to dance

    out my conscription

    my prescriptions’ advanced

    I’m goin’ black to Indiana

    ‘Bama’s given the chance

    if leather weather’s not appropriate

    concerning the lot

    G owned his yearning and his burn

    When he was turning the spot

  • we knew you were gay with Father Figure.

    I mean what else could you be.

    still, for a long time, only rumors.

    a girl of mine she dated Seal

    who said she saw you make eyes at him across the pool,

    or was it the pool table, at his fancy mansion.

    still, you had to be caught in a park bathroom with a cop to come out.

    still, nothing changes, even/especially for pop stars,

    but that was the last sneaky BJ for you.

    next a video in mirrored aviators about public sex and shame

    made all ten of us proud as we watched in a San Diego gay bar.

    still, you got free.

    now I guess your “family" will euphemize your death

    from "complications from pneumonia"

    or however they’re coding it these days.

    your family consists of straight girls

    who wanked off to you at 13 because

    they couldn’t see your real family was us.

    still the plague makes of us diseased pariahs,

    even the rich famous successful handsome perfect out ones,

    even if we were never sick. we stand for the sick.

    we stand up to those who want to defend your honor by saying you weren’t.

    and what. we’re better than our dead friends

    cuz we didn't die of the plague?

    you would have tossed that bullshit aside.

    you stood for us. for you.

    wear a gold star when you’re not Jewish.

    say you’re pos when you’re negative. you’d do it.

    although you can’t chime in on this thread,

    I have to believe you would have.

    see, I do need another hero. I do have faith.

    switch a star on your belly.

    turn systems of privilege and flags upside down.

    right now truth is monumental.

    but a lie to make a point is fine as you always were.

    we’re sick, and proud of it.

  • (Mamie Till Mobley intro)

    Chorus 2x

    It might not be such a bad idea

    If I never ever ever went home again and then

    (Someone called at the door)

    (Someone called at the door)

    [I was obliged to come….]

    Honey for the bees knees, neats and needs

    Bringing sweets for the sweets,

    Meats with treats with peas

    It be magic from the art-damaged radical faggot

    Get to Frenching like Sebastian Cabot

    Lines staggered but ‘Im back in the habit

    Fackin’ and crackin’

    Prolly Bobby Sengstacke as the backer

    Tracking the news

    Maybe Jet mag is rappin’ the blues

    Fan blades and wires the same

    Cutty Wise indicting the game

    Moses posed in withered light

    And ain’t too frightened to name

    With “thar he!” We fly free, from the trees we swang

    See the Mississippi muddying,

    We shuddering and studying

    The nutty been a-cruddying

    And sudden with they sullying and

    (Stuttering, uttering)

    Chorus 2x

    Johnny Coffey got it off me

    Tallahatchie bout to catch me

    Cause they lying and I’m dying

    And nobody’s gonna ask me

    Mama Mamie is awaiting

    Cuz they sent me in a crate and

    Saints is fittin’ for the witnessing

    So see you at the wake and

    I ain’t in it no more

    The world has got me so sore

    Slo-mo in front of the store

    Is all the chores

    Gotta go for a ride

    The flies know i’m the Lord

    My insides, a portal

    I’m a lorry to Nevermore

    The Raven fades the craven

    For the score and the seven more

    The maven’s gonna save you

    From the bloodying, buddying

    From Jackson down to Coffeyville to Money and

    Disseminating lemonade

    And praying for the sun again

    My Uzi weighs a ton again

    (Stuttering uttering)

    Chorus 2x

    Bridge (8x:)

    Sweets for the sweet meats, honey for the bees

    From Emmett Till the day i die, flying from the trees

    Outro (4x:)

    Is this him, is this him, is this hymn?

    Is this him, is this hymn, is this Emmett?

  • Chorus 4x:

    I got the bêtes baby

    I got the bêtes baby

    I got the bêtes baby

    Drank some diet soda maybe

    (Drankin' diet soda daily)

    Verse 1:

    Don’t want them chopping my nose

    Or any fingers or toes

    And no neuropathy stopping me

    Dropped a size in my clothes

    Metabolism in schism

    Forgetting prose and my rhythm

    I spend my evening in scheming

    Hell no, you’re not gonna get him

    Pre-Chorus 1x:

    So what’s it gonna be?

    I have to pee

    Why can’t you see

    My ‘betes, my ‘betes?

    Chorus 4x

    Verse 2:

    They keep on saying you losing weight

    And you’ve never looked better

    My pants once gripped now slip they my hips

    And I’m swimming in sweaters

    Better a prick with a fingerstick

    Just a beater with meter readings

    Completed a journal logging

    The slog of the meat i’m eating

    Forboding the carbo loading

    And sweets omnipresent

    It’s messing, stressing ‘bout dressing

    And less of cornbread and crescents

    You see my sugar is snookered

    His mouth is dryer than cotton

    I’m stocking Wyler’s and Zero

    Before I’m gone and forgotten

    2nd Pre-chorus:

    So what’s it gonna be?

    I have to pee

    Why can’t you see

    My ‘betes, my ‘betes?

    I place a lemon slice

    Makes colas taste nice

    Broke Zero’s my life

    That black can be manly

    3rd Pre-chorus/outro:

    What’s it gonna be?

    I have to pee

    Why can’t you see

    My ‘betes, my ‘betes?

    I place a lemon slice

    Makes colas taste nice

    Broke Zero’s my life

    That black can be manly

    D-I-E-T! P-I-B-B!

    D-I-E-T! P-I-B-B!

    D-I-E-T! P-I-B-B!

    D-I-E-T! P-I-B-B!